Showing posts with label Alan Perry. Show all posts
Showing posts with label Alan Perry. Show all posts

Sunday, 26 April 2015

Book Review: Masters in Miniature - Alan & Michael Perry





I don't know this for a fact, but I suspect twin brothers Alan and Michael Perry may just be the most prolific of miniature figure sculptors known to history. 

Starting with Games Worskshop as freelancers in their teens, before going full-time (for the same employer), they have also produced loads of ranges for Wargames Foundry, the historical gaming cousins to the predominantly fantasy and sci-fi Games Workshop lines.

They've also worked on the Peter Jackson Lord of The Rings figures (there was a Citadel LOTR range years back, but that was possibly - I have no idea!? - the work of other hands), and more recently have been making larger figures, including a stunning array of 54mm sculpts for a WWI Museum diorama in New Zealand, funded by Jackson. Whether these will be made commercially available I don't know, although I'm sure the demand will be there.

Anyway, to matters in hand: Masters In Miniature is a landscape-format book of roughly A4 dimensions running to about 160 pages. An hardback, printed in sumptuous colour (by Atlantic Publishers, who publish Miniature Wargames magazine), it is basically a de-luxe coffee-table picture book, illustrated with an enormous number of - nearly 400 - excellent photos, taken by the Perrys themselves. One staggering thing to bear in mind is that all the figures in these pages are from their own range, Perry Miniatures. These are produced in their spare time... when not at the day job sculpting for Games Workshop!

Medieval period action. Beautifully colourful!

The book was published in April 2014, just in time to be sold at Salute, the big London wargames hobby show run by the South London Warlords club. I bought my copy at this years Salute (2015), on its first anniversary, from the Atlantic publishers stand. This fact gives me the chance to air my first gripe about a book I'm otherwise filled with praise for: at the show I paid £25 for it, which seems reasonable (RRP is £29.95). Online at the Perry's own website, and on Amazon, copies are selling for around £40 a pop. That seems too much to me! [1]

Anyway, that aside, let's get onto to the reasons for buying it, i.e. the all important content. Well, there's a short foreward by Rick Priestley [http://rickpriestley.com], fellow Games Workshop employee (and creator of Warhammer and Warhammer 40,000), a very brief introduction by the Perrys themselves, numerous chapters which I'll detail in a minute and, finally, a six-page feature called 'The Perry Twins', by Henry Hyde (editor and publisher of Miniature Wargames, as well as this book itself).

A nice AWI spread.

The central attraction of the book however, is the rich collection of myriad marvellous battle scenarios and the like, arranged and photographed on superb terrain by Alan and Michael themselves. These are arranged in chronological order of the periods which each respective range of figures portrays, covering about a millennia of historical warfare, as follows:

The First Crusade (1096-1099)
Agincourt to Orleans (1415-1429)
The Wars of the Roses (1455-1487) & European Armies (1450-1500)
Samurai Armies (1550-1615) & Choson Korean Army (1592-1598)
The English Civil Wars (1642-1651) and the Border Reivers of the 1580s
The American War of Independence (1775-1783)
Napoleonic Armies (1809-1814) & Napoleonic Armies (1815)
The First Carlist War (1833-1840)
The American Civil War (1861-1865)
The Mahdist Uprising in the Sudan (1881-1885)
World War II (1939-1945)

According to info on the Perry's website this represents 6 months of work in terms of photography alone, and years in terms of the painting of the figures. They modestly refrain from anything further, but clearly the superb quality of the figures themselves is the result of decades, or more precisely two lifetimes worth of artistic skill, that's been constantly honed and developed in very productive careers.

ACW action, including some colourful NY Zouaves.

Each section has a brief intro from one of the twins, which says a little about the period and how it came into being as a figure range from Perry Miniatures. It's surprising how much info the tiny little introductory sections pack in, some of it about the era, and some about the Perrys work in relation to it. They give generous credit to their numerous painter chums, and the makers of the scenery (some of which they make themselves). The pictures are, for the most part, wonderful. There are a few instances of visible 'Photoshopping', such as the hail of arrows in the Agincourt pictures, and some retouching of scenery and backdrops. Where I could spot this it was a minor irritant to me, as I think the figures and terrain as they are look sufficiently fabulous. 

But this brings us on to another important thing about this book: these collections are described by Rick Priestley as being real wargaming armies. And no doubt they are. But they are presented and photographed here more as if they were dioramas. This is not a complaint from me, just an observation. In fact it's a strength of the book; I love it! But obviously these are not pics of an ordinary wargame in progress, where one sees bases, rule sheets, dice, gamer's arms, etc., or the backdrop of a club or a show [2]. 

What I hope to one day achieve in my own wargaming is, effectively, a movable diorama kind of look. That's the approach they've employed here, only tidied up so that any clunky features of the gaming aspect are airbrushed from view. This is kind of a double edged-sword, inasmuch as whilst it's all undoubtedly very impressive and highly inspiring, it could also leave one feeling disappointed with ones own efforts. Rick Priestley acknowledges this in his foreward, when he says 'Whilst we may not all have the same eye for detail, or the boundless creative energy, of Michael and Alan, we can all admire and be inspired in our own efforts in our own individual way.'

Gordon of Khartoum, etc. Not a period I'm
normally drawn to, but it looks good here.

All of the periods covered are, or certainly become, in the hands of the Perrys and their accomplices, highly interesting. There's the obvious danger that to you'll be seduced into raising new armies in scales and periods you weren't previously involved in. As a kid I collected Napoleonics in 15mm, and now I'm doing the same in 6mm and 10mm, and I still consider, even with the advent of plastics, which the Perrys have been intimately involved with pioneering and developing [3], 28mm Napoleonics as (currently) beyond my means. But such is the seductive beauty of their work that I'm slowly amassing a collection of their Napoleonics, despite my efforts to resist! 

There are some obscure periods or theatres covered here, from the more obviously unusual, like the Carlist Wars and the colourful Choson Koreans, to off the usual road-map moments, like the inclusion of Neapolitans vs. Austrians in the 1815 section (which one might've assumed would be purely Waterloo-focussed) or the 'Battle' of Baltimore scenario in the ACW section. And there are also all the old warhorses, like the ECW, the AWI, the Napoleonic era, the ECW, and WWII. In my musical tastes I may pride myself a little on occasionally pursuing, alongside mainstream tastes, a few more obscure avenues. But in wargaming, I must admit I'm slightly surprised to say that I'm entirely content to remain fixated by several of the most mainstream eras.

A Napoleonic spread. Still my favourite era! 

My absolute favourite remains the Napoleonic period. And it's so nice to read Alan Perry saying this: 'I had already produced a fair number of Napoleonics for Foundry over fifteen years, before we set up Perry Miniatures in 2001, which hadn't dried up my enthusiasm for the period. Twelve years on and I'm still making them!' The Napoleonic era is represented here by two sections, one covering 1809-14, the other just 1815. 

In conclusion, whilst this book is not, like most of life, entirely perfect, it is, unlike a lot of life, predominantly very wonderful indeed. As Rick Priestley says in his foreward, 'long may [they] continue to amaze and delight us all.'

----------
My thanks to Henry Hyde for permission to use the colour spreads shown here.

NOTES:

[1] Signed copies are available from the Perry's own website at the slightly higher price of £42.50.

[2] The backdrops used here are very effective, mostly being of the vaguely cloudy skies type. Occasionally a photographic element is included, and sometimes the Photoshop touch is detectable. Photographing beautiful games at shows is often really hampered by the fact that a beautiful view across a gorgeous terrain populated by fabulous figures terminates in a backdrop of a room full of middle aged men with beer guts.

[3] The Perrys brought out the first hard-plastic Wargames figures in 28mm, with their ACW I set.

Tuesday, 22 July 2014

Vive L'Empereur... almost

In a bid to take a break from painting my 6mm armies I decided to finally paint my Alan Perry Napoleon Crossing The Alps figure. The project has turned into something of an obsession! I get very little time to do it, but where I can I snatch it.

Here's a pic of the miniature as it is now:

A close-up view. Backdrop is part of a Caspar David Friedrich. Ok, not Jacques-Louis David, but hey, at least both have David in their names!

It's still not finished - now that I've based it I'm unhappy with the horse: colours look too blocky in places! And the tail and main remane (sorry, but I love spoonerisms and silly word-play!) too glossy, thanks to Army Painter Quickshade. So, hey-ho, on it goes! Here's a painting of how Boney allegedly really made it over the Alps.

Bonaparte Crossing the Alps, Hippolyte Delaroche, 1850.

This latter scenario is available as a beautiful model from French sculptor Bruno Leibovitz's firm Metal Modeles: Bonaparte crossing the Alps on May 20, 1800.

Here's a couple more pics of the work as it's been progressing: first the Milliput base, more or less finished, but unpainted; second the whole thing, with base painted... so, more or less finished... in theory!

The observant may notice Sean Connery enviously eyeing my cuppa... fuel for Milliput creativi-tea!?

A lick of paint for the rocky surfaces, and an attempt to tidy the edge of the circular base.


I've been enjoying the delights of Flanders & Swann in the motor, chortling as I'm pootling along. They do a great song about WWI which I'll post if there's a YouTube link to be had. In the meantime, they do make at least one reference to Napoleon, in the song 'Friendly Duet':

'When they whispered Napoleon
Pays Josephine's rent,
'Nonsense', said Bonaparte,
'She lives on her own, apart,
In her own apart-ment'...'



And this in turn reminds me to remind those who don't know but might be interested that novelist R. F. Delderfield wrote a book about Napoleon's amours, in which he (Delderfield that is, not Napoleon) refers to the field of love as the 'bonestrewn beach of the Sirens', which I quite liked!

Tuesday, 15 July 2014

28mm Perry Salute 'Boney Crossing Alps' Figure

Jacques-Louis David's 'Napoleon Crossing The Alps'




Jacques-Louis David's 'Napoleon Crossing The Alps' is one of the most iconic paintings from that colourful era that bears the name of the man also known as 'Le petit Caporal' and 'The Corsican Ogre'.

This painting features on many books about the Napoleonic era, unsurprisingly (and is currently the screen-saver on my various mobile devices). But the image hasn't just become popular over time: in Napoleon's and David's own time it was also immensely popular. So much so that David ultimately painted five versions of it.



When I returned to the hobby, I was on a mission to find out if someone had sculpted this fantastic image as a miniature. I felt sure someone must have. And in the end, after buying a few other Napoleons, such as the Warmodelling 'Borodino' 15mm figure pack (Napoleon seated on a chair with one foot up on a drum, accompanied by a telescope-wielding ADC), I learned that yes, there was such a figure.



Made for Salute (I don't know which year), and sculpted by one of the Perry twins, it was also sold as a limited edition by Foundry, raising money, if I recall aright, for a charity in aid of an ailing friend in the industry. Every show I went to I'd buttonhole and badger anyone I thought looked like they might know about the figure, and ask how I could get one (I don't do eBay, so that was out).

And finally, at last years Salute I got lucky. I can't recall who it was - if the guy who posted the figure to me reads this, please remind me who you are, so I can thank you in public! - but someone I mentioned it to said they had a spare of this figure, and would post it to me for a modest amount (and it was modest, probably very little over the postage cost).


Having had the figure for some time now, and having nearly gone mad and blind painting a bunch of 6mm stuff, I figured a break from the micro-world would be good. I spent a while perusing the various David paintings, cogitating on which one to work from, and eventually plumped for this one:



...known as the Belvedere version, because I like the colours and the contrast in this reproduction best.

I did consider amalgamating aspects of several, and in the end I probably will have done so, to some limited degree. My choice was also governed in part by liking the white/grey horses better than the piebald or the brown.

Alan Perry's Napoleon Crossing the Alps

I contacted the Perry's via their website, to find out a bit more about the figure: Who'd sculpted it? When and who for? Is it still in production? Alan very kindly replied. Here is the relevant part:

'I made it many moons ago, in the early-mid 90's I think. It was for charity, connected to someone who worked at Foundry. If anyone has the mould it'll be Foundry.'



Having applied a black undercoat not long after receiving the figure, I finally started painting it properly last Saturday, blocking in some base colours. This whole paint job, like all my figure-painting at present, is done entirely using Humbrol enamels.




Then, on Sunday, I worked a bit on the horse. Both of these occasions were very time-limited.



And only today did I finally get a good few hours to work at it, in a leisurely yet intense way.



The above pair of pics are lit by a lamp in what I call my overhead 'midday' lighting position. The remainder below are lit with the lamp in what I term a 'late-afternoon/evening' position!



Whatever I or anyobdy else thinks of my painting skills here, I have to doff my bicorne to Alan Perry. I think it's an amazing little figure, full of the vitality that animates the painting.



It's interesting to note the differences between the sculpt and the painting. Some are very minor, such as how the sword sits relative the overall pose, whilst others are more major, like the less reared-up pose of the horse, and the fact Boney has both gloves on, whereas in all the David paintings his upraised hand is sans gant.



At present I'm building armies for Russia 1812 in 6mm and 12mm, but I like the idea of having 28mm figs for key commanders. This figure would be the first such commander, and they don't come more key than Boney himself! I have a fabulous Murat from Gringo 40s, waiting in the wings. 

My rendering of this beautiful Alan Perry miniature is still unfinished, at this moment in time - the gloves, sash and sword all need doing (as well as sundry other little details, plus a bit of general tidying up) - but I'm already quite pleased with it. That's reasonably unusual for me, so I'm doubly happy/chuffed!!

Stirrup of Figs

As a footnote: the following pics show how one of the stirrups was incomplete on my casting. I used some superfine white Milliput to make a repair, before undercoating it. This is my first successful conversion (attempts to add plumes to some AB 15mm Polish lancers were abortive!) since resuming the hobby, and I think it's come out okay.

Right foot with stirrup.

Left foot: note missing stirrup!

My Milliput repair: does it look a bit clumsy?

Well... I reckon it looks fine once undercoated.

UPDATE: 17/7/2014 - Nearly finished the painting!

I managed to squeeze in a little more work on this figure last night. The three pics below show Boney as he stands now, complete except for his gloves, and a little bit of tidying up and some washes to bring out some detail here and there. 

I have to say that I feel this is my best paint job to date. I am actually pleased! A lot of the credit has to go to Alan Perry, for sculpting such a beautiful and iconic figurine.




I've more or less followed the Belvedere iteration of David's work, only diverging from his colour scheme in that the horses 'cummerbund' (or whatever it's called: the band under the saddle, going around its belly) is brown in mine, and Napoleon's coat is a lot lighter/bluer. I like the 'tricolor' effect this gives: blue coat, red cape, white sash (and horse... -ish!).

There's a show dedicated to miniature figurines coming up fairly local to me, this coming Saturday, 19th July: Figureworld Model Show, in Oundle, nr. Peterborough. I intend to visit and see what I can do by way of a nice base for Boney.