Showing posts with label Paul L. Dawson. Show all posts
Showing posts with label Paul L. Dawson. Show all posts

Tuesday, 20 August 2019

Book Review: Napoleon's Imperial Guard, The Cavalry, Paul Dawson



Initially I took the unusual step of scoring this twice, once for execution (two-and-a-half), and once for intent and all the rest; info/images, etc. (four-and-a-half). But in the end I've opted to combine the two into a single three and a-half bicornes score. And in some respects I think I'm being quite generous.

So, what's the good news? Well, as with the previous Infantry volume, this is a chunky, beautifully printed book, featuring lots of photos of garments and other accoutrements, contemporary or near contemporary artworks, and a small middle section of original paintings by Keith Rocco. The level of detail is quite something. I'm still not quite sure about the heavy use of tables of expenditures on cloth and the like. These occupy the main body of the text. I suspect they might've been less disruptive had they been collected in appendices.

Fab' photos of a surviving kinski.

Already, even in the 'good news' segment I'm getting equivocal! But staying positive: Dawson aims to be, and is, as far as my limited knowledge goes, pretty comprehensive in the mounted bodies he covers, including units like the very short-lived Eclaireurs, the 'attached' Lancers of Berg, and even the mounted artillery and train. Once again, however, even this inclusiveness is tempered by the manner in which it's addressed, which is almost exclusively data-heavy. 

For example, taking the Eclaireurs: the vast majority of what's presented here are either tables of expenditure on cloth, or brief 'histories' of individuals who served in the regiments. All this data is potentially fascinating, particularly to the hardcore Napoleonic junkie like me, but it doesn't make for an especially lively or engaging read. And the frequent 'it is clear from...' type statements are a bit opaque to a layman like me, for whom the bald data often isn't particularly enlightening, and is certainly not indicative of any obvious conclusions.

And finally, whilst some units are fairly copiously illustrated, both in terms of artefacts and illustrations, others, like the Eclaireurs, or even more so the Lithuanian Tartars, aren't. Re the Eclaireurs, reference to some contemporary prints is made, but said images aren't reproduced. And what few items are shown photographically aren't necessarily very representative (I'm referring here to the very fancy full dress dolman of Claude Testot-Ferry [1]).

Mention is made of the Eclaireurs' Rouleau type shako, but it isn't illustrated. [2]

This Job print would've been a very useful inclusion. [3]

As you can see, even in examining this books good points, there are provisos. Now we move on to the problems. There are basically two: one is the data heavy nature of the content. As a book containing information, this really excels, drawing on some sources that are less often foregrounded in the literature. But therein lies the rub; here the bald data is front and centre. It doesn't support an exciting historical narrative, it's just a kind of 'data dump', splat, on the page.

The second issue is one I often find myself mentioning in this special-interest niche of ours, military history, and that's editing. The Infantry volume has some pretty shocking moments, as when the back jacket blurb announces that the book is about cavalry. But this Cavalry volume, whilst correct on the rear dust jacket, is littered with editorial gaffes that suggest it has never been proof-read.

For example, take the first three Rocco plates: the first shows Chasseurs a Cheval, but the caption is for Grenadiers a Cheval. The second is Empress Dragoons, but the caption describes Chasseurs a Cheval. The third, a Grenadier a Cheval... well, it's not made clear in the text what body of cavalry is being referred to. Awful!

Check this image closely, for catastrophic captioning.

This jumble of misplaced captions is bad enough, but there's worse, as on pages 114-115 (shown above), where the left page shows photos of horse bridles/reins, and the right a sword belt and sabretache. But both bear identical captions describing a schabraque! This is, frankly, appalling and inexcusable in a book whose RRP is a hefty £40!

In conclusion, I would say that this potentially excellent book is currently very notably spoiled, partly by the dry data-heavy nature of the text itself, but much more so by the sloppy or seemingly non-existent editing [4]. Nevertheless, whilst pretty disappointed, particularly after the anticipation generated by the previous Infantry volume, I'm still very glad to have this. For all its faults, and they aren't insignificant, overall it's still both fascinating and informative. 



NOTES:

[1] It's a thing of great beauty, but not as enlightening as to the ordinary uniforms of these units as is the kurtka style jacket that appears later.

[2] The photo I've used is a reproduction item.

Guard Eclaireurs as illustrated by the Funckens.

[3] The Job picture doesn't appear in Dawson's book. Nor does the Martinet image he refers to in the text. Ever since I saw the image reproduced above, from one of the many L. & F. Funcken Arms & Uniforms titles,  I was fascinated by these cool looking cavalrymen. It's a great pity this book doesn't illustrate these guys better.

[4] Here's another and not altogether untypical instance of the need for better editing, p. 218: 'The eclaireurs of the Guard was a corps of cavalry eclaireurs of the French Imperial Guard...' Come on! Such redundant tautology shouldn't reach the printed page.

NB You may notice that I'm rather interested in the Eclaireurs! I was looking forward to learning more about them. And I did. But I was also deeply disappointed not to find better images of them.

Thursday, 8 August 2019

Book Review: Napoleon's Imperial Guard, The Infantry, Paul Dawson.



This is part one of a two part Uniforms and Equipment series from Frontline publishing, an imprint of Pen & Sword, by Paul L. Dawson. A deluxe hardback, copiously illustrated with both contemporary art depicting the Infantry of Napoleon's famous Imperial Guard, and superbly photographed original artefacts, covering weapons, uniforms and other equipment of this legendary elite formation.

Together these two volumes will make an indispensable new resource for those interested/obsessed with the history of this most colourful and exciting era. The level of detail is, frankly, astonishing. Occasionally even rather exhausting, if I'm honest. And yet I find myself strangely and magnetically drawn to it all, even down to the minutiae of what appear to be translations of original manuals of regulations and suchlike.

Mind-boggling minutiae!

I have to confess that I baulk a little at the obsessive detail of the many tables of various types of data, which cover all sorts of things, from the numbers, names and ranks of individuals within given units, to the expenditure on various types of cloths or garments. Having said this, the deeper one delves into these subjects, the more such facts become, pardon the pun, part of the very fabric of history itself.

I love the illustrations, both the colour plates of beautiful old artworks depicting the peacock finery of these venerable French warriors, and the numerous photos of their gear, which exert an almost talismanic power, communicating across the ages a strong whiff of gunpowder, sweat, blood and the many soils over which Bonaparte's legions tramped, from the sands of North Africa to the Steppes of Russia.

Wow! What fab gear!

Artist and illustrator Keith Rocco, who many will associate with the American Civil War, thanks to his copious output of artworks covering that conflict, has been commissioned to produce new works for these two books, and they feature both on the front and back covers of the books, and in their own dedicated sections in the centre of the volume. These are superb, needless to say. And they help impart a real sense of the de-luxe, as befits a book about elite units such as the Imperial Guard.

Sadly this first volume - I eagerly await the second, on the Cavalry of the Guard - does suffer from the lack of editorial finesse that sometimes bedevils such specialist or niche areas of publishing as military history. Some examples of this include the usage of specialist terminology that isn't explained (or if it is, it's explained elsewhere in the book, and that explanation is not easily found), or such bloopers as the rear dust-jacket blurb describing this as a 'guide to the dress, weapons and accruements [sic*] of the cavalry [!] elements  of the most famous formation of the Napoleonic Wars'.

Lots of lovely illustrations!

Nonetheless, this is a fantastic resource for the Napoleonic history buff, and an essential addition to the library of those who, like me, are obsessed with this period of history. I can't wait to see the Cavalry volume!



* Presumably the intended word here was accoutrements?